Photo: Jennifer Mazza
This was an experiment in how processes reflect choreographic thought. After watching Doug Varone work with his company and share his DEVICES during his week-long Choreographic Intensive (CHIN), I was interested in jumping inside some of his processes to see how that would impact the work I made. I also physically echoed the way I watched his body interact with the dancers in the moment of creation—he stays close, almost in the middle of it, much of the time.